11/9/2023 0 Comments Darktable 2018 reviews![]() ![]() Raw converted to jpeg in Capture NX-d (no corrections)Ĭapture NX-D will read the in-camera settings that are embedded in the. ![]() ![]() I find that darktable gives me much more control over shadows and highlights than what Capture NX-D gives me. If these methods are too difficult for you, you can always use multiple instances of the Exposure module (or Levels), modifying the tonality separately for highlights, midtones and shadows by using the parametric mask option (using the gray value).Īlternatively you could output a flat, linear 32-bit or 16-bit, ProPhoto RGB file and work on the tonality with the Gimp or the Nik plug-ins.Īll of this can become a one- or a two-click solution in darktable when you establish the typical values for the types of exposures you take and then create a processing style suitable for your aesthetics. You could combine that with the usage of the shadows and highlights module (for highlights recovery I usually set it to the bilateral filter softening, rather than the default Gaussian - more subtle haloing). I usually switch the module's view (scale) to logarithmic (to better see what's going on in the shadows) and leave the upper part of the base curve flat - a gentle S-curve with a dip starting from the value of 0.5 and 1, and a hill around the value of 10 (later on it plateaus gently).įor wide dynamic range images you might want to experiment with the exposure fusion modality of the base curve: I got really nice results with it.Īnother way you could try is creating the midtone contrast with the local laplacian pyramids method while leaving the base curve relatively flat in the highlights area. I have custom, DCamProf-made ICC profiles for my cameras which mimic the Adobe tone curve which is embedded in their DCP profiles, so my base curve gets a rather subtle contrast treatment, mainly in the first quarter. The default one for your camera might need some tweaking if you're not happy with your highlights recovery. If you use the default, linear input colour profile for your camera, you need to add contrast e.g. In Capture NX-D, it is simple and I am yet to get better at handling base curves in DT. However I still have not gotten hold of editing an underexposed image in DT. This is exciting for me since I get to work with Raw rather than tiff. Now I can launch Raw in GIMP through DT seamlessly. Thanks for your help sankos and I see you are there on pixls upgraded my OS and it fixed it without any further effect. I plan to upgrade my OS and hence do not plan to debug now. I referred the pixls forum and looks like few others face it too. What happens if you copy all the GitHub folders from that repository into your "lua" folder? The luarc file should contain this line: ![]()
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